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edward.maurath
HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major
edward.maurath
2:40 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 15 34 1 8 96%
Bass 16 13 0 6 96%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 15 34 1 8 96%
Bass 16 13 0 6 96%
Cello Bass 16 1 0 6 96%
Semele 14 0 3 10 79%
 
HWV7A2N20a - "Ah! crudel, il pianto mio deh!"
edward.maurath
2:50 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Solo Bass 20 0 3 10 100%
Contrabass Solo Bass 17 0 3 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Solo Bass 20 0 3 10 100%
Contrabass Solo Bass 17 0 3 6 100%
Oboe Treble 17 0 3 9 92%
Harpsichord Treble 20 29 3 7 85%
Bass 17 7 3 6 88%
Contrabasses Bass 16 0 3 6 88%
Violas 12 0 3 7 88%
Violins
1		 Treble 19 0 4 7 88%
Violins
2		 Treble 15 0 2 6 88%
Violins
3		 Treble 13 0 1 6 88%
Violoncello Continuo Bass 17 0 3 6 88%
Violoncellos Bass 16 0 3 6 88%
Violoncello Bass 18 0 3 6 85%
Almirena 13 0 3 8 54%
 
Air from Terpsichore, prologue to Il Pastor Fido, HWV 8, late 1734
edward.maurath
3:16 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 15 6 11 100%
Bass 18 19 3 9 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 15 6 11 100%
Bass 18 19 3 9 100%
Basso

Continuo		 Bass 18 0 3 9 100%
Contrabasses Bass 17 0 3 9 100%
Violas 16 0 3 9 100%
Violini 1 Treble 24 0 5 12 100%
Violini 2 Treble 24 0 5 13 100%
 
"Risonar mi sento al core" from "Il Pastor Fido," HWV 8a, 1712
edward.maurath
3:10 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 22 57 7 10 94%
Bass 25 37 7 10 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 22 57 7 10 94%
Bass 25 37 7 10 100%
Violoncello (Continuo) Bass 22 0 7 10 100%
Basso
as Tirenio		 Bass 15 0 4 7 71%
Contrabassi (Continuo) Bass 18 0 5 7 58%
Violini Treble 20 0 4 8 58%
Violoncelli (Continuo) Bass 19 0 5 7 58%
 
HWV56N22 - Behold the Lamb of God!
edward.maurath
3:15 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 60 6 9 100%
Bass 16 25 3 7 97%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 60 6 9 100%
Bass 16 25 3 7 97%
Violin
I		 Treble 17 0 3 8 100%
Violin
II		 Treble 20 0 4 11 100%
Cello Bass 16 0 3 7 97%
Viola 16 0 3 11 97%
VNE Bass 16 0 3 7 97%
Alto 13 0 3 7 81%
Soprano Treble 13 0 3 9 81%
Basso Bass 15 0 3 7 75%
Tenore 14 0 4 8 75%
 
"Fato crudo, Amor serero" from "Il Pastor Fido," HWV8 (1733)
edward.maurath
2:46 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo (Continuo) Treble 20 14 3 10 65%
Bass 20 4 2 10 96%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo (Continuo) Treble 20 14 3 10 65%
Bass 20 4 2 10 96%
Violoncello (Contniuo) Bass 20 0 2 10 96%
Contrabassi (Continuo) Bass 20 0 2 10 80%
Violoncelli (Continuo) Bass 20 0 2 10 80%
Violini 1 Treble 16 0 2 9 76%
Violini 2 Treble 16 0 3 8 76%
Soprano
as Mirtillo		 11 0 1 9 72%
 
BWV 21: Sinfonia in c minor
edward.maurath
3:02 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 30 7 6 100%
Bass 20 2 5 6 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 30 7 6 100%
Bass 20 2 5 6 100%
Contrabasso Continuo Bass 17 0 4 6 100%
Fagatto Continuo Bass 19 0 4 6 100%
Oboe Treble 18 0 8 10 100%
Organo Continuo Treble 13 36 5 6 100%
Viola 11 0 3 7 100%
Violino 1 Treble 23 0 7 11 100%
Violino 2 Treble 11 0 2 6 100%
Violoncello Continuo Bass 19 0 4 6 100%
 
K 492: Number 24, "Il caproro e la caprella,"
edward.maurath
3:13 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 27 3 7 8 100%
Violins
2		 Treble 24 4 7 8 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 27 3 7 8 100%
Violins
2		 Treble 24 4 7 8 100%
Violas 17 0 3 9 99%
Celli Bass 19 0 6 5 98%
Contrabasses Bass 16 0 4 4 90%
Marcellina 14 0 3 11 79%
Harpsichord Treble 11 9 0 4 28%
Bass 13 7 1 4 29%
 
"Sventurata!" from "La Cenerentola"
edward.maurath
3:17 Est. Play
Time
100 Measures
2,327Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabasses Bass 16 0 4 10 100%
Violoncellos Bass 16 0 4 10 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabasses Bass 16 0 4 10 100%
Violoncellos Bass 16 0 4 10 100%
Violas 18 8 6 11 99%
Violins
1		 Treble 28 13 10 12 99%
Violins
2		 Treble 26 14 8 11 96%
Clorinda 20 0 6 13 84%
Bassoon Bass 16 0 3 7 77%
Bass 15 0 3 7 75%
Oboe Treble 14 0 4 7 71%
Treble 10 0 2 6 68%
BaccidentalFlat
Corno		 Treble 6 0 0 6 67%
Treble 4 0 0 6 67%
Flute Treble 18 0 5 9 61%